With the instinctive generosity of her nature, a courtesy beyond her control, she refrained from uttering the studied words which, she had felt, were indispensable for the full realisation of her desire. And perpetually, in the depths of her being, a shy and suppliant maiden would kneel before that other element, the old campaigner, battered but triumphant, would intercede with him and oblige him to retire.
“Oh, yes, it is so extremely likely that people are looking at us at this time of night in this densely populated district!” said her friend, with bitter irony. “And what if they are?” she went on, feeling bound to annotate with a malicious yet affectionate wink these words which she was repeating, out of good nature, like a lesson prepared beforehand which, she knew, it would please Mlle. Vinteuil to hear. “And what if they are? All the better that they should see us.”
Mlle. Vinteuil shuddered and rose to her feet. In her sensitive and scrupulous heart she was ignorant what words ought to flow, spontaneously, from her lips, so as to produce the scene for which her eager senses clamoured. She reached out as far as she could across the limitations of her true character to find the language appropriate to a vicious young woman such as she longed to be thought, but the words which, she imagined, such a young woman might have uttered with sincerity sounded unreal in her own mouth. And what little she allowed herself to say was said in a strained tone, in which her ingrained timidity paralysed her tendency to freedom and audacity of speech; while she kept on interrupting herself with: “You’re sure you aren’t cold? You aren’t too hot? You don’t want to sit and read by yourself?…
“Your ladyship’s thoughts seem to be rather ‘warm’ this evening,” she concluded, doubtless repeating a phrase which she had heard used, on some earlier occasion, by her friend.
In the V-shaped opening of her crape bodice Mlle. Vinteuil felt the sting of her friend’s sudden kiss; she gave a little scream and ran away; and then they began to chase one another about the room, scrambling over the furniture, their wide sleeves fluttering like wings, clucking and crowing like a pair of amorous fowls. At last Mlle. Vinteuil fell down exhausted upon the sofa, where she was screened from me by the stooping body of her friend. But the latter now had her back turned to the little table on which the old music-master’s portrait had been arranged. Mlle. Vinteuil realised that her friend would not see it unless her attention were drawn to it, and so exclaimed, as if she herself had just noticed it for the first time: “Oh! there’s my father’s picture looking at us; I can’t think who can have put it there; I’m sure I’ve told them twenty times, that is not the proper place for it.”
I remembered the words that M. Vinteuil had used to my parents in apologising for an obtrusive sheet of music. This photograph was, of course, in common use in their ritual observances, was subjected to daily profanation, for the friend replied in words which were evidently a liturgical response: “Let him stay there. He can’t trouble us any longer. D’you think he’d start whining, d’you think he’d pack you out of the house if he could see you now, with the window open, the ugly old monkey?”
To which Mlle. Vinteuil replied, “Oh, please!” — a gentle reproach which testified to the genuine goodness of her nature, not that it was prompted by any resentment at hearing her father spoken of in this fashion (for that was evidently a feeling which she had trained herself, by a long course of sophistries, to keep in close subjection at such moments), but rather because it was the bridle which, so as to avoid all appearance of egotism, she herself used to curb the gratification which her friend was attempting to procure for her. It may well have been, too, that the smiling moderation with which she faced and answered these blasphemies, that this tender and hypocritical rebuke appeared to her frank and generous nature as a particularly shameful and seductive form of that criminal attitude towards life which she was endeavouring to adopt. But she could not resist the attraction of being treated with affection by a woman who had just shewn herself so implacable towards the defenceless dead; she sprang on to the knees of her friend and held out a chaste brow to be kissed; precisely as a daughter would have done to her mother, feeling with exquisite joy that they would thus, between them, inflict the last turn of the screw of cruelty, in robbing M. Vinteuil, as though they were actually rifling his tomb, of the sacred rights of fatherhood. Her friend took the girl’s head in her hands and placed a kiss on her brow with a docility prompted by the real affection she had for Mlle. Vinteuil, as well as by the desire to bring what distraction she could into the dull and melancholy life of an orphan.
“Do you know what I should like to do to that old horror?” she said, taking up the photograph. She murmured in Mlle. Vinteuil’s ear something that I could not distinguish.
“Oh! You would never dare.”
“Not dare to spit on it? On that?” shouted the friend with deliberate brutality.
I heard no more, for Mlle. Vinteuil, who now seemed weary, awkward, preoccupied, sincere, and rather sad, came back to the window and drew the shutters close; but I knew now what was the reward that M. Vinteuil, in return for all the suffering that he had endured in his lifetime, on account of his daughter, had received from her after his death.
And yet I have since reflected that if M. Vinteuil had been able to be present at this scene, he might still, and in spite of everything, have continued to believe in his daughter’s soundness of heart, and that he might even, in so doing, have been not altogether wrong. It was true that in all Mlle. Vinteuil’s actions the appearance of evil was so strong and so consistent that it would have been hard to find it exhibited in such completeness save in what is nowadays called a ‘sadist’; it is behind the footlights of a Paris theatre, and not under the homely lamp of an actual country house, that one expects to see a girl leading her friend on to spit upon the portrait of a father who has lived and died for nothing and no one but herself; and when we find in real life a desire for melodramatic effect, it is generally the ‘sadic’ instinct that is responsible for it. It is possible that, without being in the least inclined towards ‘sadism,’ a girl might have shewn the same outrageous cruelty as Mlle. Vinteuil in desecrating the memory and defying the wishes of her dead father, but she would not have given them deliberate expression in an act so crude in its symbolism, so lacking in subtlety; the criminal element in her behaviour would have been less evident to other people, and even to herself, since she would not have admitted to herself that she was doing wrong. But, appearances apart, in Mlle. Vinteuil’s soul, at least in the earlier stages, the evil element was probably not unmixed. A ‘sadist’ of her kind is an artist in evil, which a wholly wicked person could not be, for in that case the evil would not have been external, it would have seemed quite natural to her, and would not even have been distinguishable from herself; and as for virtue, respect for the dead, filial obedience, since she would never have practised the cult of these things, she would take no impious delight in their profanation. ‘Sadists’ of Mlle. Vinteuil’s sort are creatures so purely sentimental, so virtuous by nature, that even sensual pleasure appears to them as something bad, a privilege reserved for the wicked. And when they allow themselves for a moment to enjoy it they endeavour to impersonate, to assume all the outward appearance of wicked people, for themselves and their partners in guilt, so as to gain the momentary illusion of having escaped beyond the control of their own gentle and scrupulous natures into the inhuman world of pleasure. And I could understand how she must have longed for such an escape when I realised that it was impossible for her to effect it. At the moment when she wished to be thought the very antithesis of her father, what she at once suggested to me were the mannerisms, in thought and speech, of the poor old music-master. Indeed, his photograph was nothing; what she really desecrated, what she corrupted into ministering to her pleasures, but what remained between them and her and prevented her from any direct enjoyment of them, was the likeness between her face and his, his mother’s blue eyes which he had handed down to her, like some trinket to be kept in the family, those little friendly movements and inclinations which set up between the viciousness of Mlle. Vinteuil and herself a phraseology, a mentality not designed for vice, which made her regard it as not in any way different from the numberless little social duties and courtesies to which she must devote herself every day. It was not evil that gave her the idea of pleasure, that seemed to her attractive; it was pleasure, rather, that seemed evil. And as, every time that she indulged in it, pleasure came to her attended by evil thoughts such as, ordinarily, had no place in her virtuous mind, she came at length to see in pleasure itself something diabolical, to identify it with Evil. Perhaps Mlle. Vinteuil felt that at heart her friend was not altogether bad, not really sincere when she gave vent to those blasphemous utterances. At any rate, she had the pleasure of receiving those kisses on her brow, those smiles, those glances; all feigned, perhaps, but akin in their base and vicious mode of expression to those which would have been discernible on the face of a creature formed not out of kindness and long-suffering, but out of self-indulgence and cruelty. She was able to delude herself for a moment into believing that she was indeed amusing herself in the way in which, with so unnatural an accomplice, a girl might amuse herself who really did experience that savage antipathy towards her father’s memory. Perhaps she would not have thought of wickedness as a state so rare, so abnormal, so exotic, one which it was so refreshing to visit, had she been able to distinguish in herself, as in all her fellow-men and women, that indifference to the sufferings which they cause which, whatever names else be given it, is the one true, terrible and lasting form of cruelty.
If the ‘Méséglise way’ was so easy, it was a very different matter when we took the ‘Guermantes way,’ for that meant a long walk, and we must make sure, first, of the weather. When we seemed to have entered upon a spell of fine days, when Françoise, in desperation that not a drop was falling upon the ‘poor crops,’ gazing up at the sky and seeing there only a little white cloud floating here and there upon its calm, azure surface, groaned aloud and exclaimed: “You would say they were nothing more nor less than a lot of dogfish swimming about and sticking up their snouts! Ah, they never think of making it rain a little for the poor labourers! And then when the corn is all ripe, down it will come, rattling all over the place, and think no more of where it is falling than if it was on the sea!” — when my father’s appeals to the gardener had met with the same encouraging answer several times in succession, then some one would say, at dinner: “To-morrow, if the weather holds, we might go the Guermantes way.” And off we would set, immediately after luncheon, through the little garden gate which dropped us into the Rue des Perchamps, narrow and bent at a sharp angle, dotted with grass-plots over which two or three wasps would spend the day botanising, a street as quaint as its name, from which its odd characteristics and its personality were, I felt, derived; a street for which one might search in vain through the Combray of to-day, for the public school now rises upon its site. But in my dreams of Combray (like those architects, pupils of Viollet-le-Duc, who, fancying that they can detect, beneath a Renaissance rood-loft and an eighteenth-century altar, traces of a Norman choir, restore the whole church to the state in which it probably was in the twelfth century) I leave not a stone of the modern edifice standing, I pierce through it and ‘restore’ the Rue des Perchamps. And for such reconstruction memory furnishes me with more detailed guidance than is generally at the disposal of restorers; the pictures which it has preserved — perhaps the last surviving in the world to-day, and soon to follow the rest into oblivion — of what Combray looked like in my childhood’s days; pictures which, simply because it was the old Combray that traced their outlines upon my mind before it vanished, are as moving — if I may compare a humble landscape with those glorious works, reproductions of which my grandmother was so fond of bestowing on me — as those old engravings of the ‘Cenacolo,’ or that painting by Gentile Bellini, in which one sees, in a state in which they no longer exist, the masterpiece of Leonardo and the portico of Saint Mark’s.
We would pass, in the Rue de l’Oiseau, before the old hostelry of the Oiseau Flesché, into whose great courtyard, once upon a time, would rumble the coaches of the Duchesses de Montpensier, de Guermantes, and de Montmorency, when they had to come down to Combray for some litigation with their farmers, or to receive homage from them. We would come at length to the Mall, among whose treetops I could distinguish the steeple of Saint-Hilaire. And I should have liked to be able to sit down and spend the whole day there, reading and listening to the bells, for it was so charming there and so quiet that, when an hour struck, you would have said not that it broke in upon the calm of the day, but that it relieved the day of its superfluity, and that the steeple, with the indolent, painstaking exactitude of a person who has nothing else to do, had simply, in order to squeeze out and let fall the few golden drops which had slowly and naturally accumulated in the hot sunlight, pressed, at a given moment, the distended surface of the silence.
The great charm of the ‘Guermantes’ way was that we had beside us, almost all the time, the course of the Vivonne. We crossed it first, ten minutes after leaving the house, by a foot-bridge called the Pont-Vieux. And every year, when we arrived at Combray, on Easter morning, after the sermon, if the weather was fine, I would run there to see (amid all the disorder that prevails on the morning of a great festival, the gorgeous preparations for which make the everyday household utensils that they have not contrived to banish seem more sordid than ever) the river flowing past, sky-blue already between banks still black and bare, its only companions a clump of daffodils, come out before their time, a few primroses, the first in flower, while here and there burned the blue flame of a violet, its stem bent beneath the weight of the drop of perfume stored in its tiny horn. The Pont-Vieux led to a tow-path which, at this point, would be overhung in summer by the bluish foliage of a hazel, under which a fisherman in a straw hat seemed to have taken root. At Combray, where I knew everyone, and could always detect the blacksmith or grocer’s boy through his disguise of a beadle’s uniform or chorister’s surplice, this fisherman was the only person whom I was never able to identify. He must have known my family, for he used to raise his hat when we passed; and then I would always be just on the point of asking his name, when some one would make a sign to me to be quiet, or I would frighten the fish. We would follow the tow-path which ran along the top of a steep bank, several feet above the stream. The ground on the other side was lower, and stretched in a series of broad meadows as far as the village and even to the distant railway-station. Over these were strewn the remains, half-buried in the long grass, of the castle of the old Counts of Combray, who, during the Middle Ages, had had on this side the course of the Vivonne as a barrier and defence against attack from the Lords of Guermantes and Abbots of Martinville. Nothing was left now but a few stumps of towers, hummocks upon the broad surface of the fields, hardly visible, broken battlements over which, in their day, the bowmen had hurled down stones, the watchmen had gazed out over Novepont, Clairefontaine, Martinville-le-Sec, Bailleau-l’Exempt, fiefs all of them of Guermantes, a ring in which Combray was locked; but fallen among the grass now, levelled with the ground, climbed and commanded by boys from the Christian Brothers’ school, who came there in their playtime, or with lesson-books to be conned; emblems of a past that had sunk down and well-nigh vanished under the earth, that lay by the water’s edge now, like an idler taking the air, yet giving me strong food for thought, making the name of Combray connote to me not the little town of to-day only, but an historic city vastly different, seizing and holding my imagination by the remote, incomprehensible features which it half-concealed beneath a spangled veil of buttercups. For the buttercups grew past numbering on this spot which they had chosen for their games among the grass, standing singly, in couples, in whole companies, yellow as the yolk of eggs, and glowing with an added lustre, I felt, because, being powerless to consummate with my palate the pleasure which the sight of them never failed to give me, I would let it accumulate as my eyes ranged over their gilded expanse, until it had acquired the strength to create in my mind a fresh example of absolute, unproductive beauty; and so it had been from my earliest childhood, when from the tow-path I had stretched out my arms towards them, before even I could pronounce their charming name — a name fit for the Prince in some French fairy-tale; colonists, perhaps, in some far distant century from Asia, but naturalised now for ever in the village, well satisfied with their modest horizon, rejoicing in the sunshine and the water’s edge, faithful to their little glimpse of the railway-station; yet keeping, none the less, as do some of our old paintings, in their plebeian simplicity, a poetic scintillation from the golden East.
I would amuse myself by watching the glass jars which the boys used to lower into the Vivonne, to catch minnows, and which, filled by the current of the stream, in which they themselves also were enclosed, at once ‘containers’ whose transparent sides were like solidified water and ‘contents’ plunged into a still larger container of liquid, flowing crystal, suggested an image of coolness more delicious and more provoking than the same water in the same jars would have done, standing upon a table laid for dinner, by shewing it as perpetually in flight between the impalpable water, in which my hands could not arrest it, and the insoluble glass, in which my palate could not enjoy it. I decided that I would come there again with a line and catch fish; I begged for and obtained a morsel of bread from our luncheon basket; and threw into the Vivonne pellets which had the power, it seemed, to bring about a chemical precipitation, for the water at once grew solid round about them in oval clusters of emaciated tadpoles, which until then it had, no doubt, been holding in solution, invisible, but ready and alert to enter the stage of crystallisation.
Presently the course of the Vivonne became choked with water-plants. At first they appeared singly, a lily, for instance, which the current, across whose path it had unfortunately grown, would never leave at rest for a moment, so that, like a ferry-boat mechanically propelled, it would drift over to one bank only to return to the other, eternally repeating its double journey. Thrust towards the bank, its stalk would be straightened out, lengthened, strained almost to breaking-point until the current again caught it, its green moorings swung back over their anchorage and brought the unhappy plant to what might fitly be called its starting-point, since it was fated not to rest there a moment before moving off once again. I would still find it there, on one walk after another, always in the same helpless state, suggesting certain victims of neurasthenia, among whom my grandfather would have included my aunt Léonie, who present without modification, year after year, the spectacle of their odd and unaccountable habits, which they always imagine themselves to be on the point of shaking off, but which they always retain to the end; caught in the treadmill of their own maladies and eccentricities, their futile endeavours to escape serve only to actuate its mechanism, to keep in motion the clockwork of their strange, ineluctable, fatal daily round. Such as these was the water-lily, and also like one of those wretches whose peculiar torments, repeated indefinitely throughout eternity, aroused the curiosity of Dante, who would have inquired of them at greater length and in fuller detail from the victims themselves, had not Virgil, striding on ahead, obliged him to hasten after him at full speed, as I must hasten after my parents.
But farther on the current slackened, where the stream ran through a property thrown open to the public by its owner, who had made a hobby of aquatic gardening, so that the little ponds into which the Vivonne was here diverted were aflower with water-lilies. As the banks at this point were thickly wooded, the heavy shade of the trees gave the water a background which was ordinarily dark green, although sometimes, when we were coming home on a calm evening after a stormy afternoon, I have seen in its depths a clear, crude blue that was almost violet, suggesting a floor of Japanese cloisonné. Here and there, on the surface, floated, blushing like a strawberry, the scarlet heart of a lily set in a ring of white petals.
Beyond these the flowers were more frequent, but paler, less glossy, more thickly seeded, more tightly folded, and disposed, by accident, in festoons so graceful that I would fancy I saw floating upon the stream, as though after the dreary stripping of the decorations used in some Watteau festival, moss-roses in loosened garlands. Elsewhere a corner seemed to be reserved for the commoner kinds of lily; of a neat pink or white like rocket-flowers, washed clean like porcelain, with housewifely care; while, a little farther again, were others, pressed close together in a floating garden-bed, as though pansies had flown out of a garden like butterflies and were hovering with blue and burnished wings over the transparent shadowiness of this watery border; this skiey border also, for it set beneath the flowers a soil of a colour more precious, more moving than their own; and both in the afternoon, when it sparkled beneath the lilies in the kaleidoscope of a happiness silent, restless, and alert, and towards evening, when it was filled like a distant heaven with the roseate dreams of the setting sun, incessantly changing and ever remaining in harmony, about the more permanent colour of the flowers themselves, with the utmost profundity, evanescence, and mystery — with a quiet suggestion of infinity; afternoon or evening, it seemed to have set them flowering in the heart of the sky.
After leaving this park the Vivonne began to flow again more swiftly. How often have I watched, and longed to imitate, when I should be free to live as I chose, a rower who had shipped his oars and lay stretched out on his back, his head down, in the bottom of his boat, letting it drift with the current, seeing nothing but the sky which slipped quietly above him, shewing upon his features a foretaste of happiness and peace.
We would sit down among the irises at the water’s edge. In the holiday sky a lazy cloud streamed out to its full length. Now and then, crushed by the burden of idleness, a carp would heave up out of the water, with an anxious gasp. It was time for us to feed. Before starting homewards we would sit for a long time there, eating fruit and bread and chocolate, on the grass, over which came to our ears, horizontal, faint, but solid still and metallic, the sound of the bells of Saint-Hilaire, which had melted not at all in the atmosphere it was so well accustomed to traverse, but, broken piecemeal by the successive palpitation of all their sonorous strokes, throbbed as it brushed the flowers at our feet.
Sometimes, at the water’s edge and embedded in trees, we would come upon a house of the kind called ‘pleasure houses,’ isolated and lost, seeing nothing of the world, save the river which bathed its feet. A young woman, whose pensive face and fashionable veils did not suggest a local origin, and who had doubtless come there, in the popular phrase, ‘to bury herself,’ to taste the bitter sweetness of feeling that her name, and still more the name of him whose heart she had once held, but had been unable to keep, were unknown there, stood framed in a window from which she had no outlook beyond the boat that was moored beside her door. She raised her eyes with an air of distraction when she heard, through the trees that lined the bank, the voices of passers-by of whom, before they came in sight, she might be certain that never had they known, nor would they know, the faithless lover, that nothing in their past lives bore his imprint, which nothing in their future would have occasion to receive. One felt that in her renunciation of life she had willingly abandoned those places in which she would at least have been able to see him whom she loved, for others where he had never trod. And I watched her, as she returned from some walk along a road where she had known that he would not appear, drawing from her submissive fingers long gloves of a precious, useless charm.
Never, in the course of our walks along the ‘Guermantes way,’ might we penetrate as far as the source of the Vivonne, of which I had often thought, which had in my mind so abstract, so ideal an existence, that I had been as much surprised when some one told me that it was actually to be found in the same department, and at a given number of miles from Combray, as I had been on the day when I had learned that there was another fixed point somewhere on the earth’s surface, where, according to the ancients, opened the jaws of Hell. Nor could we ever reach that other goal, to which I longed so much to attain, Guermantes itself. I knew that it was the residence of its proprietors, the Duc and Duchesse de Guermantes, I knew that they were real personages who did actually exist, but whenever I thought about them I pictured them to myself either in tapestry, as was the ‘Coronation of Esther’ which hung in our church, or else in changing, rainbow colours, as was Gilbert the Bad in his window, where he passed from cabbage green, when I was dipping my fingers in the holy water stoup, to plum blue when I had reached our row of chairs, or again altogether impalpable, like the image of Geneviève de Brabant, ancestress of the Guermantes family, which the magic lantern sent wandering over the curtains of my room or flung aloft upon the ceiling — in short, always wrapped in the mystery of the Merovingian age, and bathed, as in a sunset, in the orange light which glowed from the resounding syllable ‘antes.’ And if, in spite of that, they were for me, in their capacity as a duke and a duchess, real people, though of an unfamiliar kind, this ducal personality was in its turn enormously distended, immaterialised, so as to encircle and contain that Guermantes of which they were duke and duchess, all that sunlit ‘Guermantes way’ of our walks, the course of the Vivonne, its water-lilies and its overshadowing trees, and an endless series of hot summer afternoons. And I knew that they bore not only the titles of Duc and Duchesse de Guermantes, but that since the fourteenth century, when, after vain attempts to conquer its earlier lords in battle, they had allied themselves by marriage, and so became Counts of Combray, the first citizens, consequently, of the place, and yet the only ones among its citizens who did not reside in it — Comtes de Combray, possessing Combray, threading it on their string of names and titles, absorbing it in their personalities, and illustrating, no doubt, in themselves that strange and pious melancholy which was peculiar to Combray; proprietors of the town, though not of any particular house there; dwelling, presumably, out of doors, in the street, between heaven and earth, like that Gilbert de Guermantes, of whom I could see, in the stained glass of the apse of Saint-Hilaire, only the ‘other side’ in dull black lacquer, if I raised my eyes to look for him, when I was going to Camus’s for a packet of salt.
And then it happened that, going the ‘Guermantes way,’ I passed occasionally by a row of well-watered little gardens, over whose hedges rose clusters of dark blossom. I would stop before them, hoping to gain some precious addition to my experience, for I seemed to have before my eyes a fragment of that riverside country which I had longed so much to see and know since coming upon a description of it by one of my favourite authors. And it was with that story-book land, with its imagined soil intersected by a hundred bubbling watercourses, that Guermantes, changing its form in my mind, became identified, after I heard Dr. Percepied speak of the flowers and the charming rivulets and fountains that were to be seen there in the ducal park. I used to dream that Mme. de Guermantes, taking a sudden capricious fancy for myself, invited me there, that all day long she stood fishing for trout by my side. And when evening came, holding my hand in her own, as we passed by the little gardens of her vassals, she would point out to me the flowers that leaned their red and purple spikes along the tops of the low walls, and would teach me all their names. She would make me tell her, too, all about the poems that I meant to compose. And these dreams reminded me that, since I wished, some day, to become a writer, it was high time to decide what sort of books I was going to write. But as soon as I asked myself the question, and tried to discover some subjects to which I could impart a philosophical significance of infinite value, my mind would stop like a clock, I would see before me vacuity, nothing, would feel either that I was wholly devoid of talent, or that, perhaps, a malady of the brain was hindering its development. Sometimes I would depend upon my father’s arranging everything for me. He was so powerful, in such favour with the people who ‘really counted,’ that he made it possible for us to transgress laws which Françoise had taught me to regard as more ineluctable than the laws of life and death, as when we were allowed to postpone for a year the compulsory repainting of the walls of our house, alone among all the houses in that part of Paris, or when he obtained permission from the Minister for Mme. Sazerat’s son, who had been ordered to some watering-place, to take his degree two months before the proper time, among the candidates whose surnames began with ‘A,’ instead of having to wait his turn as an ‘S.’ If I had fallen seriously ill, if I had been captured by brigands, convinced that my father’s understanding with the supreme powers was too complete, that his letters of introduction to the Almighty were too irresistible for my illness or captivity to turn out anything but vain illusions, in which there was no danger actually threatening me, I should have awaited with perfect composure the inevitable hour of my return to comfortable realities, of my deliverance from bondage or restoration to health. Perhaps this want of talent, this black cavity which gaped in my mind when I ransacked it for the theme of my future writings, was itself no more, either, than an unsubstantial illusion, and would be brought to an end by the intervention of my father, who would arrange with the Government and with Providence that I should be the first writer of my day. But at other times, while my parents were growing impatient at seeing me loiter behind instead of following them, my actual life, instead of seeming an artificial creation by my father, and one which he could modify as he chose, appeared, on the contrary, to be comprised in a larger reality which had not been created for my benefit, from whose judgments there was no appeal, in the heart of which I was bound, helpless, without friend or ally, and beyond which no further possibilities lay concealed. It was evident to me then that I existed in the same manner as all other men, that I must grow old, that I must die like them, and that among them I was to be distinguished merely as one of those who have no aptitude for writing. And so, utterly despondent, I renounced literature for ever, despite the encouragements that had been given me by Bloch. This intimate, spontaneous feeling, this sense of the nullity of my intellect, prevailed against all the flattering speeches that might be lavished upon me, as a wicked man, when everyone is loud in the praise of his good deeds, is gnawed by the secret remorse of conscience.
One day my mother said: “You are always talking about Mme. de Guermantes. Well, Dr. Percepied did a great deal for her when she was ill, four years ago, and so she is coming to Combray for his daughter’s wedding. You will be able to see her in church.” It was from Dr. Percepied, as it happened, that I had heard most about Mme. de Guermantes, and he had even shewn us the number of an illustrated paper in which she was depicted in the costume which she had worn at a fancy dress ball given by the Princesse de Léon.
Suddenly, during the nuptial mass, the beadle, by moving to one side, enabled me to see, sitting in a chapel, a lady with fair hair and a large nose, piercing blue eyes, a billowy scarf of mauve silk, glossy and new and brilliant, and a little spot at the corner of her nose. And because on the surface of her face, which was red, as though she had been very warm, I could make out, diluted and barely perceptible, details which resembled the portrait that had been shewn to me; because, more especially, the particular features which I remarked in this lady, if I attempted to catalogue them, formulated themselves in precisely the same terms:— a large nose, blue eyes, as Dr. Percepied had used when describing in my presence the Duchesse de Guermantes, I said to myself: “This lady is like the Duchesse de Guermantes.” Now the chapel from which she was following the service was that of Gilbert the Bad; beneath its flat tombstones, yellowed and bulging like cells of honey in a comb, rested the bones of the old Counts of Brabant; and I remembered having heard it said that this chapel was reserved for the Guermantes family, whenever any of its members came to attend a ceremony at Combray; there was, indeed, but one woman resembling the portrait of Mme. de Guermantes who on that day, the very day on which she was expected to come there, could be sitting in that chapel: it was she! My disappointment was immense. It arose from my not having borne in mind, when I thought of Mme. de Guermantes, that I was picturing her to myself in the colours of a tapestry or a painted window, as living in another century, as being of another substance than the rest of the human race. Never had I taken into account that she might have a red face, a mauve scarf like Mme. Sazerat; and the oval curve of her cheeks reminded me so strongly of people whom I had seen at home that the suspicion brushed against my mind (though it was immediately banished) that this lady in her creative principle, in the molecules of her physical composition, was perhaps not substantially the Duchesse de Guermantes, but that her body, in ignorance of the name that people had given it, belonged to a certain type of femininity which included, also, the wives of doctors and tradesmen. “It is, it must be Mme. de Guermantes, and no one else!” were the words underlying the attentive and astonished expression with which I was gazing upon this image, which, naturally enough, bore no resemblance to those that had so often, under the same title of ‘Mme. de Guermantes,’ appeared to me in dreams, since this one had not been, like the others, formed arbitrarily by myself, but had sprung into sight for the first time, only a moment ago, here in church; an image which was not of the same nature, was not colourable at will, like those others that allowed themselves to imbibe the orange tint of a sonorous syllable, but which was so real that everything, even to the fiery little spot at the corner of her nose, gave an assurance of her subjection to the laws of life, as in a transformation scene on the stage a crease in the dress of a fairy, a quivering of her tiny finger, indicate the material presence of a living actress before our eyes, whereas we were uncertain, till then, whether we were not looking merely at a projection of limelight from a lantern.
Meanwhile I was endeavouring to apply to this image, which the prominent nose, the piercing eyes pinned down and fixed in my field of vision (perhaps because it was they that had first struck it, that had made the first impression on its surface, before I had had time to wonder whether the woman who thus appeared before me might possibly be Mme. de Guermantes), to this fresh and unchanging image the idea: “It is Mme. de Guermantes”; but I succeeded only in making the idea pass between me and the image, as though they were two discs moving in separate planes, with a space between. But this Mme. de Guermantes of whom I had so often dreamed, now that I could see that she had a real existence independent of myself, acquired a fresh increase of power over my imagination, which, paralysed for a moment by contact with a reality so different from anything that it had expected, began to react and to say within me: “Great and glorious before the days of Charlemagne, the Guermantes had the right of life and death over their vassals; the Duchesse de Guermantes descends from Geneviève de Brabant. She does not know, nor would she consent to know, any of the people who are here to-day.”
And then — oh, marvellous independence of the human gaze, tied to the human face by a cord so loose, so long, so elastic that it can stray, alone, as far as it may choose — while Mme. de Guermantes sat in the chapel above the tombs of her dead ancestors, her gaze lingered here and wandered there, rose to the capitals of the pillars, and even rested upon myself, like a ray of sunlight straying down the nave, but a ray of sunlight which, at the moment when I received its caress, appeared conscious of where it fell. As for Mme. de Guermantes herself, since she remained there motionless, sitting like a mother who affects not to notice the rude or awkward conduct of her children who, in the course of their play, are speaking to people whom she does not know, it was impossible for me to determine whether she approved or condemned the vagrancy of her eyes in the careless detachment of her heart.
I felt it to be important that she should not leave the church before I had been able to look long enough upon her, reminding myself that for years past I had regarded the sight of her as a thing eminently to be desired, and I kept my eyes fixed on her, as though by gazing at her I should be able to carry away and incorporate, to store up, for later reference, in myself the memory of that prominent nose, those red cheeks, of all those details which struck me as so much precious, authentic, unparalleled information with regard to her face. And now that, whenever I brought my mind to bear upon that face — and especially, perhaps, in my determination, that form of the instinct of self-preservation with which we guard everything that is best in ourselves, not to admit that I had been in any way deceived — I found only beauty there; setting her once again (since they were one and the same person, this lady who sat before me and that Duchesse de Guermantes whom, until then, I had been used to conjure into an imagined shape) apart from and above that common run of humanity with which the sight, pure and simple, of her in the flesh had made me for a moment confound her, I grew indignant when I heard people saying, in the congregation round me: “She is better looking than Mme. Sazerat” or “than Mlle. Vinteuil,” as though she had been in any way comparable with them. And my gaze resting upon her fair hair, her blue eyes, the lines of her neck, and overlooking the features which might have reminded me of the faces of other women, I cried out within myself, as I admired this deliberately unfinished sketch: “How lovely she is! What true nobility! it is indeed a proud Guermantes, the descendant of Geneviève de Brabant, that I have before me!” And the care which I took to focus all my attention upon her face succeeded in isolating it so completely that to-day, when I call that marriage ceremony to mind, I find it impossible to visualise any single person who was present except her, and the beadle who answered me in the affirmative when I inquired whether the lady was, indeed, Mme. de Guermantes. But her, I can see her still quite clearly, especially at the moment when the procession filed into the sacristy, lighted by the intermittent, hot sunshine of a windy and rainy day, where Mme. de Guermantes found herself in the midst of all those Combray people whose names, even, she did not know, but whose inferiority proclaimed her own supremacy so loud that she must, in return, feel for them a genuine, pitying sympathy, and whom she might count on impressing even more forcibly by virtue of her simplicity and natural charm. And then, too, since she could not bring into play the deliberate glances, charged with a definite meaning, which one directs, in a crowd, towards people whom one knows, but must allow her vague thoughts to escape continually from her eyes in a flood of blue light which she was powerless to control, she was anxious not to distress in any way, not to seem to be despising those humbler mortals over whom that current flowed, by whom it was everywhere arrested. I can see again to-day, above her mauve scarf, silky and buoyant, the gentle astonishment in her eyes, to which she had added, without daring to address it to anyone in particular, but so that everyone might enjoy his share of it, the almost timid smile of a sovereign lady who seems to be making an apology for her presence among the vassals whom she loves. This smile rested upon myself, who had never ceased to follow her with my eyes. And I, remembering the glance which she had let fall upon me during the service, blue as a ray of sunlight that had penetrated the window of Gilbert the Bad, said to myself, “Of course, she is thinking about me.” I fancied that I had found favour in her sight, that she would continue to think of me after she had left the church, and would, perhaps, grow pensive again, that evening, at Guermantes, on my account. And at once I fell in love with her, for if it is sometimes enough to make us love a woman that she looks on us with contempt, as I supposed Mlle. Swann to have done, while we imagine that she cannot ever be ours, it is enough, also, sometimes that she looks on us kindly, as Mme. de Guermantes did then, while we think of her as almost ours already. Her eyes waxed blue as a periwinkle flower, wholly beyond my reach, yet dedicated by her to me; and the sun, bursting out again from behind a threatening cloud and darting the full force of its rays on to the Square and into the sacristy, shed a geranium glow over the red carpet laid down for the wedding, along which Mme. de Guermantes smilingly advanced, and covered its woollen texture with a nap of rosy velvet, a bloom of light, giving it that sort of tenderness, of solemn sweetness in the pomp of a joyful celebration, which characterises certain pages of Lohengrin, certain paintings by Carpaccio, and makes us understand how Baudelaire was able to apply to the sound of the trumpet the epithet ‘delicious.’
How often, after that day, in the course of my walks along the ‘Guermantes way,’ and with what an intensified melancholy did I reflect on my lack of qualification for a literary career, and that I must abandon all hope of ever becoming a famous author. The regret that I felt for this, while I lingered alone to dream for a little by myself, made me suffer so acutely that, in order not to feel it, my mind of its own accord, by a sort of inhibition in the instant of pain, ceased entirely to think of verse-making, of fiction, of the poetic future on which my want of talent precluded me from counting. Then, quite apart from all those literary preoccupations, and without definite attachment to anything, suddenly a roof, a gleam of sunlight reflected from a stone, the smell of a road would make me stop still, to enjoy the special pleasure that each of them gave me, and also because they appeared to be concealing, beneath what my eyes could see, something which they invited me to approach and seize from them, but which, despite all my efforts, I never managed to discover. As I felt that the mysterious object was to be found in them, I would stand there in front of them, motionless, gazing, breathing, endeavouring to penetrate with my mind beyond the thing seen or smelt. And if I had then to hasten after my grandfather, to proceed on my way, I would still seek to recover my sense of them by closing my eyes; I would concentrate upon recalling exactly the line of the roof, the colour of the stone, which, without my being able to understand why, had seemed to me to be teeming, ready to open, to yield up to me the secret treasure of which they were themselves no more than the outer coverings. It was certainly not any impression of this kind that could or would restore the hope I had lost of succeeding one day in becoming an author and poet, for each of them was associated with some material object devoid of any intellectual value, and suggesting no abstract truth. But at least they gave me an unreasoning pleasure, the illusion of a sort of fecundity of mind; and in that way distracted me from the tedium, from the sense of my own impotence which I had felt whenever I had sought a philosophic theme for some great literary work. So urgent was the task imposed on my conscience by these impressions of form or perfume or colour — to strive for a perception of what lay hidden beneath them, that I was never long in seeking an excuse which would allow me to relax so strenuous an effort and to spare myself the fatigue that it involved. As good luck would have it, my parents called me; I felt that I had not, for the moment, the calm environment necessary for a successful pursuit of my researches, and that it would be better to think no more of the matter until I reached home, and not to exhaust myself in the meantime to no purpose. And so I concerned myself no longer with the mystery that lay hidden in a form or a perfume, quite at ease in my mind, since I was taking it home with me, protected by its visible and tangible covering, beneath which I should find it still alive, like the fish which, on days when I had been allowed to go out fishing, I used to carry back in my basket, buried in a couch of grass which kept them cool and fresh. Once in the house again I would begin to think of something else, and so my mind would become littered (as my room was with the flowers that I had gathered on my walks, or the odds and ends that people had given me) with a stone from the surface of which the sunlight was reflected, a roof, the sound of a bell, the smell of fallen leaves, a confused mass of different images, under which must have perished long ago the reality of which I used to have some foreboding, but which I never had the energy to discover and bring to light. Once, however, when we had prolonged our walk far beyond its ordinary limits, and so had been very glad to encounter, half way home, as afternoon darkened into evening, Dr. Percepied, who drove past us at full speed in his carriage, saw and recognised us, stopped, and made us jump in beside him, I received an impression of this sort which I did not abandon without having first subjected it to an examination a little more thorough. I had been set on the box beside the coachman, we were going like the wind because the Doctor had still, before returning to Combray, to call at Martinville-le-Sec, at the house of a patient, at whose door he asked us to wait for him. At a bend in the road I experienced, suddenly, that special pleasure, which bore no resemblance to any other, when I caught sight of the twin steeples of Martinville, on which the setting sun was playing, while the movement of the carriage and the windings of the road seemed to keep them continually changing their position; and then of a third steeple, that of Vieuxvicq, which, although separated from them by a hill and a valley, and rising from rather higher ground in the distance, appeared none the less to be standing by their side.
In ascertaining and noting the shape of their spires, the changes of aspect, the sunny warmth of their surfaces, I felt that I was not penetrating to the full depth of my impression, that something more lay behind that mobility, that luminosity, something which they seemed at once to contain and to conceal.
The steeples appeared so distant, and we ourselves seemed to come so little nearer them, that I was astonished when, a few minutes later, we drew up outside the church of Martinville. I did not know the reason for the pleasure which I had found in seeing them upon the horizon, and the business of trying to find out what that reason was seemed to me irksome; I wished only to keep in reserve in my brain those converging lines, moving in the sunshine, and, for the time being, to think of them no more. And it is probable that, had I done so, those two steeples would have vanished for ever, in a great medley of trees and roofs and scents and sounds which I had noticed and set apart on account of the obscure sense of pleasure which they gave me, but without ever exploring them more fully. I got down from the box to talk to my parents while we were waiting for the Doctor to reappear. Then it was time to start; I climbed up again to my place, turning my head to look back, once more, at my steeples, of which, a little later, I caught a farewell glimpse at a turn in the road. The coachman, who seemed little inclined for conversation, having barely acknowledged my remarks, I was obliged, in default of other society, to fall back on my own, and to attempt to recapture the vision of my steeples. And presently their outlines and their sunlit surface, as though they had been a sort of rind, were stripped apart; a little of what they had concealed from me became apparent; an idea came into my mind which had not existed for me a moment earlier, framed itself in words in my head; and the pleasure with which the first sight of them, just now, had filled me was so much enhanced that, overpowered by a sort of intoxication, I could no longer think of anything but them. At this point, although we had now travelled a long way from Martinville, I turned my head and caught sight of them again, quite black this time, for the sun had meanwhile set. Every few minutes a turn in the road would sweep them out of sight; then they shewed themselves for the last time, and so I saw them no more.
Without admitting to myself that what lay buried within the steeples of Martinville must be something analogous to a charming phrase, since it was in the form of words which gave me pleasure that it had appeared to me, I borrowed a pencil and some paper from the Doctor, and composed, in spite of the jolting of the carriage, to appease my conscience and to satisfy my enthusiasm, the following little fragment, which I have since discovered, and now reproduce, with only a slight revision here and there.
Alone, rising from the level of the plain, and seemingly lost in that expanse of open country, climbed to the sky the twin steeples of Martinville. Presently we saw three: springing into position confronting them by a daring volt, a third, a dilatory steeple, that of Vieuxvicq, was come to join them. The minutes passed, we were moving rapidly, and yet the three steeples were always a long way ahead of us, like three birds perched upon the plain, motionless and conspicuous in the sunlight. Then the steeple of Vieuxvicq withdrew, took its proper distance, and the steeples of Martinville remained alone, gilded by the light of the setting sun, which, even at that distance, I could see playing and smiling upon their sloped sides. We had been so long in approaching them that I was thinking of the time that must still elapse before we could reach them when, of a sudden, the carriage, having turned a corner, set us down at their feet; and they had flung themselves so abruptly in our path that we had barely time to stop before being dashed against the porch of the church.
We resumed our course; we had left Martinville some little time, and the village, after accompanying us for a few seconds, had already disappeared, when, lingering alone on the horizon to watch our flight, its steeples and that of Vieuxvicq waved once again, in token of farewell, their sun-bathed pinnacles. Sometimes one would withdraw, so that the other two might watch us for a moment still; then the road changed direction, they veered in the light like three golden pivots, and vanished from my gaze. But, a little later, when we were already close to Combray, the sun having set meanwhile, I caught sight of them for the last time, far away, and seeming no more now than three flowers painted upon the sky above the low line of fields. They made me think, too, of three maidens in a legend, abandoned in a solitary place over which night had begun to fall; and while we drew away from them at a gallop, I could see them timidly seeking their way, and, after some awkward, stumbling movements of their noble silhouettes, drawing close to one another, slipping one behind another, shewing nothing more, now, against the still rosy sky than a single dusky form, charming and resigned, and so vanishing in the night.
I never thought again of this page, but at the moment when, on my corner of the box-seat, where the Doctor’s coachman was in the habit of placing, in a hamper, the fowls which he had bought at Martinville market, I had finished writing it, I found such a sense of happiness, felt that it had so entirely relieved my mind of the obsession of the steeples, and of the mystery which they concealed, that, as though I myself were a hen and had just laid an egg, I began to sing at the top of my voice.
All day long, during these walks, I had been able to muse upon the pleasure that there would be in the friendship of the Duchesse de Guermantes, in fishing for trout, in drifting by myself in a boat on the Vivonne; and, greedy for happiness, I asked nothing more from life, in such moments, than that it should consist always of a series of joyous afternoons. But when, on our way home, I had caught sight of a farm, on the left of the road, at some distance from two other farms which were themselves close together, and from which, to return to Combray, we need only turn down an avenue of oaks, bordered on one side by a series of orchard-closes, each one planted at regular intervals with apple-trees which cast upon the ground, when they were lighted by the setting sun, the Japanese stencil of their shadows; then, sharply, my heart would begin to beat, I would know that in half an hour we should be at home, and that there, as was the rule on days when we had taken the ‘Guermantes way’ and dinner was, in consequence, served later than usual, I should be sent to bed as soon as I had swallowed my soup, so that my mother, kept at table, just as though there had been company to dinner, would not come upstairs to say good night to me in bed. The zone of melancholy which I then entered was totally distinct from that other zone, in which I had been bounding for joy a moment earlier, just as sometimes in the sky a band of pink is separated, as though by a line invisibly ruled, from a band of green or black. You may see a bird flying across the pink; it draws near the border-line, touches it, enters and is lost upon the black. The longings by which I had just now been absorbed, to go to Guermantes, to travel, to live a life of happiness — I was now so remote from them that their fulfilment would have afforded me no pleasure. How readily would I have sacrificed them all, just to be able to cry, all night long, in the arms of Mamma! Shuddering with emotion, I could not take my agonised eyes from my mother’s face, which was not to appear that evening in the bedroom where I could see myself already lying, in imagination; and wished only that I were lying dead. And this state would persist until the morrow, when, the rays of morning leaning their bars of light, as the gardener might lean his ladder, against the wall overgrown with nasturtiums, which clambered up it as far as my window-sill, I would leap out of bed to run down at once into the garden, with no thought of the fact that evening must return, and with it the hour when I must leave my mother. And so it was from the ‘Guermantes way’ that I learned to distinguish between these states which reigned alternately in my mind, during certain periods, going so far as to divide every day between them, each one returning to dispossess the other with the regularity of a fever and ague: contiguous, and yet so foreign to one another, so devoid of means of communication, that I could no longer understand, or even picture to myself, in one state what I had desired or dreaded or even done in the other.
So the ‘Méséglise way’ and the ‘Guermantes way’ remain for me linked with many of the little incidents of that one of all the divers lives along whose parallel lines we are moved, which is the most abundant in sudden reverses of fortune, the richest in episodes; I mean the life of the mind. Doubtless it makes in us an imperceptible progress, and the truths which have changed for us its meaning and its aspect, which have opened new paths before our feet, we had for long been preparing for their discovery; but that preparation was unconscious; and for us those truths date only from the day, from the minute when they became apparent. The flowers which played then among the grass, the water which rippled past in the sunshine, the whole landscape which served as environment to their apparition lingers around the memory of them still with its unconscious or unheeding air; and, certainly, when they were slowly scrutinised by this humble passer-by, by this dreaming child — as the face of a king is scrutinised by a petitioner lost in the crowd — that scrap of nature, that corner of a garden could never suppose that it would be thanks to him that they would be elected to survive in all their most ephemeral details; and yet the scent of hawthorn which strays plundering along the hedge from which, in a little while, the dog-roses will have banished it, a sound of footsteps followed by no echo, upon a gravel path, a bubble formed at the side of a waterplant by the current, and formed only to burst — my exaltation of mind has borne them with it, and has succeeded in making them traverse all these successive years, while all around them the one-trodden ways have vanished, while those who thronged those ways, and even the memory of those who thronged those trodden ways, are dead. Sometimes the fragment of landscape thus transported into the present will detach itself in such isolation from all associations that it floats uncertainly upon my mind, like a flowering isle of Delos, and I am unable to say from what place, from what time — perhaps, quite simply, from which of my dreams — it comes. But it is pre-eminently as the deepest layer of my mental soil, as firm sites on which I still may build, that I regard the Méséglise and Guermantes ‘ways.’ It is because I used to think of certain things, of certain people, while I was roaming along them, that the things, the people which they taught me to know, and these alone, I still take seriously, still give me joy. Whether it be that the faith which creates has ceased to exist in me, or that reality will take shape in the memory alone, the flowers that people shew me nowadays for the first time never seem to me to be true flowers. The ‘Méséglise way’ with its lilacs, its hawthorns, its cornflowers, its poppies, its apple-trees, the ‘Guermantes way’ with its river full of tadpoles, its water-lilies, and its buttercups have constituted for me for all time the picture of the land in which I fain would pass my life, in which my only requirements are that I may go out fishing, drift idly in a boat, see the ruins of a gothic fortress in the grass, and find hidden among the cornfields — as Saint-André-des-Champs lay hidden — an old church, monumental, rustic, and yellow like a mill-stone; and the cornflowers, the hawthorns, the apple-trees which I may happen, when I go walking, to encounter in the fields, because they are situated at the same depth, on the level of my past life, at once establish contact with my heart. And yet, because there is an element of individuality in places, when I am seized with a desire to see again the ‘Guermantes way,’ it would not be satisfied were I led to the banks of a river in which were lilies as fair, or even fairer than those in the Vivonne, any more than on my return home in the evening, at the hour when there awakened in me that anguish which, later on in life, transfers itself to the passion of love, and may even become its inseparable companion, I should have wished for any strange mother to come in and say good night to me, though she were far more beautiful and more intelligent than my own. No: just as the one thing necessary to send me to sleep contented (in that untroubled peace which no mistress, in later years, has ever been able to give me, since one has doubts of them at the moment when one believes in them, and never can possess their hearts as I used to receive, in her kiss, the heart of my mother, complete, without scruple or reservation, unburdened by any liability save to myself) was that it should be my mother who came, that she should incline towards me that face on which there was, beneath her eye, something that was, it appears, a blemish, and which I loved as much as all the rest — so what I want to see again is the ‘Guermantes way’ as I knew it, with the farm that stood a little apart from the two neighbouring farms, pressed so close together, at the entrance to the oak avenue; those meadows upon whose surface, when it is polished by the sun to the mirroring radiance of a lake, are outlined the leaves of the apple-trees; that whole landscape whose individuality sometimes, at night, in my dreams, binds me with a power that is almost fantastic, of which I can discover no trace when I awake.
No doubt, by virtue of having permanently and indissolubly combined in me groups of different impressions, for no reason save that they had made me feel several separate things at the same time, the Méséglise and Guermantes ‘ways’ left me exposed, in later life, to much disillusionment, and even to many mistakes. For often I have wished to see a person again without realising that it was simply because that person recalled to me a hedge of hawthorns in blossom; and I have been led to believe, and to make some one else believe in an aftermath of affection, by what was no more than an inclination to travel. But by the same qualities, and by their persistence in those of my impressions, to-day, to which they can find an attachment, the two ‘ways’ give to those impressions a foundation, depth, a dimension lacking from the rest. They invest them, too, with a charm, a significance which is for me alone. When, on a summer evening, the resounding sky growls like a tawny lion, and everyone is complaining of the storm, it is along the ‘Méséglise way’ that my fancy strays alone in ecstasy, inhaling, through the noise of falling rain, the odour of invisible and persistent lilac-trees.
And so I would often lie until morning, dreaming of the old days at Combray, of my melancholy and wakeful evenings there; of other days besides, the memory of which had been more lately restored to me by the taste — by what would have been called at Combray the ‘perfume’ — -of a cup of tea; and, by an association of memories, of a story which, many years after I had left the little place, had been told me of a love affair in which Swann had been involved before I was born; with that accuracy of detail which it is easier, often, to obtain when we are studying the lives of people who have been dead for centuries than when we are trying to chronicle those of our own most intimate friends, an accuracy which it seems as impossible to attain as it seemed impossible to speak from one town to another, before we learned of the contrivance by which that impossibility has been overcome. All these memories, following one after another, were condensed into a single substance, but had not so far coalesced that I could not discern between the three strata, between my oldest, my instinctive memories, those others, inspired more recently by a taste or ‘perfume,’ and those which were actually the memories of another, from whom I had acquired them at second hand — no fissures, indeed, no geological faults, but at least those veins, those streaks of colour which in certain rocks, in certain marbles, point to differences of origin, age, and formation.
It is true that, when morning drew near, I would long have settled the brief uncertainty of my waking dream, I would know in what room I was actually lying, would have reconstructed it round about me in the darkness, and — fixing my orientation by memory alone, or with the assistance of a feeble glimmer of light at the foot of which I placed the curtains and the window — would have reconstructed it complete and with its furniture, as an architect and an upholsterer might do, working upon an original, discarded plan of the doors and windows; would have replaced the mirrors and set the chest-of-drawers on its accustomed site. ‘But scarcely had daylight itself — and no longer the gleam from a last, dying ember on a brass curtain-rod, which I had mistaken for daylight — traced across the darkness, as with a stroke of chalk across a blackboard, its first white correcting ray, when the window, with its curtains, would leave the frame of the doorway, in which I had erroneously placed it, while, to make room for it, the writing-table, which my memory had clumsily fixed where the window ought to be, would hurry off at full speed, thrusting before it the mantelpiece, and sweeping aside the wall of the passage; the well of the courtyard would be enthroned on the spot where, a moment earlier, my dressing-room had lain, and the dwelling-place which I had built up for myself in the darkness would have gone to join all those other dwellings of which I had caught glimpses from the whirlpool of awakening; put to flight by that pale sign traced above my window-curtains by the uplifted forefinger of day.