“Yes, Beethoven, they told me about it, it’s worth framing; still, I’m not surprised.”
“My poor wife, who was so fond of them, too,” said my grandfather, wiping away a tear. “We mustn’t blame them. They’re stark mad, both of them, as I’ve always said. What’s the matter now; aren’t you going on with the oxygen?”
My mother spoke: “Oh, but then Mamma will be having more trouble with her breathing.”
The doctor reassured her: “Oh, no! The effect of the oxygen will last a good while yet; we can begin it again presently.”
It seemed to me that he would not have said this of a dying woman, that if this good effect were to last it meant that we could still do something to keep her alive. The hiss of the oxygen ceased for a few moments, But the happy plaint of her breathing poured out steadily, light, troubled, unfinished, without end, beginning afresh. Now and then it seemed that all was over, her breath stopped, whether owing to one of those transpositions to another octave that occur in the breathing of a sleeper, or else from a natural interruption, an effect of unconsciousness, the progress of asphyxia, some failure of the heart. The doctor stooped to feel my grandmother’s pulse, but already, as if a tributary were pouring its current into the dried river-bed, a fresh chant broke out from the interrupted measure. And the first was resumed in another pitch with the same inexhaustible force. Who knows whether, without indeed my grandmother’s being conscious of them, a countless throng of happy and tender memories compressed by suffering were not escaping from her now, like those lighter gases which had long been compressed in the cylinders? One would have said that everything that she had to tell us was pouring out, that it was to us that she was addressing herself with this prolixity, this earnestness, this effusion. At the foot of the bed, convulsed by every gasp of this agony, not weeping but now and then drenched with tears, my mother presented the unreasoning desolation of a leaf which the rain lashes and the wind twirls on its stem. They made me dry my eyes before I went up to kiss my grandmother.
“But I thought she couldn’t see anything now?” said my father.
“One can never be sure,” replied the doctor.
When my lips touched her face, my grandmother’s hands quivered, a long shudder ran through her whole body, reflex perhaps, perhaps because certain affections have their hyperaesthesia which recognises through the veil of unconsciousness what they barely need senses to enable them to love. Suddenly my grandmother half rose, made a violent effort, as though struggling to resist an attempt on her life. Françoise could not endure this sight and burst out sobbing. Remembering what the doctor had just said I tried to make her leave the room. At that moment my grandmother opened her eyes. I thrust myself hurriedly in front of Françoise to hide her tears, while my parents were speaking to the sufferer. The sound of the oxygen had ceased; the doctor moved away from the bedside. My grandmother was dead.
An hour or two later Françoise was able for the last time, and without causing them any pain, to comb those beautiful tresses which had only begun to turn grey and hitherto had seemed not so old as my grandmother herself. But now on the contrary it was they alone that set the crown of age on a face grown young again, from which had vanished the wrinkles, the contractions, the swellings, the strains, the hollows which in the long course of years had been carved on it by suffering. As at the far-off time when her parents had chosen for her a bridegroom, she had the features delicately traced by purity and submission, the cheeks glowing with a chaste expectation, with a vision of happiness, with an innocent gaiety even which the years had gradually destroyed. Life in withdrawing from her had taken with it the disillusionments of life. A smile seemed to be hovering on my grandmother’s lips. On that funeral couch, death, like a sculptor of the middle ages, had laid her in the form of a young maiden.